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When she performed in this festival three years ago, Kontxi Lorente demonstrated the pronounced singularity of her piano technique. All by herself, this artist certifies the excellent condition our jazz is in. If we take a look at her curriculum, we can easily appreciate the wise teachings of George Colligan, but also those of Baby Harris.
After last year’s successful show, Stacey Kent returns to this festival. Together with Madeleine Peyroux, this New Yorker is one of the vocalists who are working hardest to renew vocal jazz in our times. Audiences love her, they know her style has the richness of good taste, the rigour of knowledge. A cheerful and modest woman who explains a lot about herself in her live performances, in search of understanding, a sense of complicity.